Why Om Shanti Is Said Three Times - The Meaning of the Threefold Peace
By Acharya Vinaya Kapoor · M.A. Sanskrit, Mantra & Stotra Studies
Reviewed by Pandit Ravindra Sharma · Vedic Rituals & Bhakti, 22+ years
Why Is Om Shanti Repeated Exactly Three Times?
Listen to any Vedic recitation - the Gayatri, a shanti path, an Upanishad chant - and it will close with Om Shanti Shanti Shanti (ॐ शान्तिः शान्तिः शान्तिः, om santih santih santih). The word shanti simply means peace, the settling of all agitation. But why three times?
The rishis observed that everything that disturbs a human being comes from exactly three directions: from cosmic and natural forces beyond anyone's control, from other living beings around us, and from our own body and mind. These are called the *tapa-traya, the three heats or afflictions: adhidaivika, adhibhautika and adhyatmika*.
Each utterance of shanti is a prayer aimed at one of these three sources. Saying it three times is therefore not repetition for emphasis alone - it is a complete, systematic prayer that leaves no doorway of disturbance unaddressed.
First Shanti - Adhidaivika, Peace from Cosmic Forces
The first shanti addresses *adhidaivika tapa - disturbances arising from divine or cosmic forces, the realm of the devas* and the great powers of nature. In this category fall events utterly beyond human control:
1. Earthquakes, floods, storms, drought and lightning. 2. Epidemics and large calamities that sweep across regions. 3. Unseen influences and circumstances of destiny that no planning can prevent.
For these, no human remedy is sufficient - one can only pray. So the first shanti is uttered loudest in traditional chanting, as if calling out across the sky, asking the cosmic order itself to be gracious. It is an act of humility: an acknowledgment that we are small participants in a vast universe, and that peace at this level is received as grace rather than engineered by effort.
Second Shanti - Adhibhautika, Peace from Other Beings
The second shanti addresses *adhibhautika tapa - disturbances caused by other living beings, the world of bhutas* or creatures around us. This includes:
1. Conflict with people - quarrels, criticism, betrayal, office politics, family friction. 2. Trouble from animals and insects - from a barking dog at night to a mosquito during meditation. 3. Disturbance from the human environment - noise, crowds, interruptions.
Unlike cosmic forces, this realm allows partial human effort: we can choose company wisely, build goodwill and avoid needless conflict. Yet no one can fully control the behavior of others. The second shanti, traditionally chanted a little softer than the first, prays that our relationships and surroundings remain harmonious - and equally, that we ourselves do not become a source of disturbance to other beings. Peace with the world is asked for in both directions.
Third Shanti - Adhyatmika, Peace from Within Ourselves
The third shanti addresses *adhyatmika tapa - disturbances arising from one's own body and mind, the atma* in its everyday sense of oneself. This is the nearest and most persistent source of unrest:
1. Physical suffering - illness, pain, fatigue, restlessness of the body. 2. Mental affliction - anxiety, anger, fear, jealousy, regret over the past and worry about the future. 3. The wandering mind itself, which disturbs prayer and meditation from inside.
The sages considered this the most important of the three, because even when the world outside is calm, an agitated mind knows no peace - and when the mind is settled, outer storms lose much of their power. The third shanti is traditionally the softest, almost a whisper, because it is directed inward. It is the prayer of the devotee to his or her own heart: be still.
How the Shanti Path Closes Every Prayer
In the Vedic tradition, prayers, study sessions, havans and pujas do not simply stop - they are sealed with shanti. The closing om shanti shanti shanti serves several purposes:
1. Completion - it marks the formal end of the sacred act, like a full stop, so the mind does not carry ritual tension onward. 2. Protection - whatever merit the prayer has generated is, as it were, wrapped in peace so that no disturbance undoes it. 3. Distribution - peace is invoked not only for oneself but for the family, the community and all beings present. 4. Transition - it gently returns the devotee from the sacred space back to worldly activity, carrying calm along.
This is why even a short daily prayer at home gains depth when ended with the threefold shanti. The same pattern closes famous mantras such as asato ma sadgamaya and om sahana vavatu.
How to Chant Om Shanti Shanti Shanti Correctly
The chant is simple, but a few traditional details enrich it:
1. Begin with Om - let the om (ॐ, aum) resonate fully; it gathers the mind before the prayer for peace. 2. Pronounce shantih with the ending breath - in Sanskrit the word ends in a soft visarga (an airy hi sound): shantihi. 3. Descend in volume - many lineages chant the first shanti loudly for the distant cosmic realm, the second at medium volume for beings around us, and the third softly for one's own heart. 4. Pause after the third - remain in silence for a few breaths; that silence is the actual shanti the words point to. 5. Use it anywhere - after aarti, before sleep, after japa, or on its own in a stressful moment.
Even chanted alone, without any preceding mantra, om shanti shanti shanti is a complete prayer in itself.
Living the Three Shantis Every Day
The threefold shanti can become a quiet framework for daily life:
1. For the adhidaivika realm - practice acceptance. Each morning, offer the day's uncontrollable events to the Divine in advance, so they cannot ambush your peace. 2. For the adhibhautika realm - practice harmlessness and forgiveness. Resolve one small conflict each week; speak one unnecessary harsh word less each day. 3. For the adhyatmika realm - practice stillness. Five minutes of japa, prayer or simple silent sitting tends the inner field where most disturbance actually grows.
When you end your evening prayer with om shanti shanti shanti in the Vandnaa app or at your home mandir, let each repetition briefly touch its own realm - sky, world, heart. Over months, the chant stops being a formula and becomes a felt, three-layered blessing.
What People Ask Most
Why is Om Shanti said three times and not once?+
Each repetition addresses one of the three classical sources of disturbance: adhidaivika (cosmic and natural forces), adhibhautika (other living beings) and adhyatmika (one's own body and mind). Three shantis make the prayer for peace complete.
What are the three tapas or afflictions?+
The tapa-traya are adhidaivika tapa (suffering from divine or natural forces like storms and calamities), adhibhautika tapa (suffering caused by other beings) and adhyatmika tapa (suffering arising from one's own body and mind).
Should the three shantis be chanted at different volumes?+
Many traditions chant the first shanti loudly (for distant cosmic forces), the second at medium volume (for beings around us) and the third softly (for one's own mind). It is a beautiful practice, though not compulsory.
Can I chant Om Shanti alone, without any other mantra?+
Yes. Om Shanti Shanti Shanti is a complete prayer by itself. You can chant it in a stressful moment, before sleep, or any time you wish to invite calm - no preceding mantra is required.
What does the word shanti actually mean?+
Shanti comes from the Sanskrit root sham, meaning to calm or settle. It means peace in the fullest sense: the quieting of outer disturbance and inner agitation, leading to a state of undisturbed stillness.
Is saying Om Shanti as a greeting appropriate?+
Yes. In many ashrams and satsang communities, Om Shanti is used as a greeting and farewell. It is a blessing wishing the other person peace at every level, fully in keeping with its devotional spirit.
About the author
Acharya Vinaya Kapoor · M.A. Sanskrit, Mantra & Stotra Studies
Acharya Vinaya holds an M.A. in Sanskrit from Banaras Hindu University and writes the mantra and stotra commentary on Vandnaa. Her focus is on accurate pronunciation, traditional context, and helping modern readers connect with classical texts.
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