Yasovanta and Ananta Das: The Other Two
Bhakti Saints

Yasovanta and Ananta Das: The Other Two

10 min readPublished August 25, 2026
RS

By Pandit Ravindra Sharma · Vedic Rituals & Bhakti, 22+ years

Reviewed by Pandit Mahesh Trivedi · Festival Traditions & Panchang

Yasovanta Das

Yasovanta Das, also written Jasobanta, sixteenth century, fourth of the Panchasakha.

Where he came from

Adhanga, in Cuttack district, and the fact that matters is his community.

He was a Bathuari, which in the Odisha social order of the period was low, and this is worth pausing on because of who he was standing next to.

Look at the group he is in.

Jagannath Das was a brahmana, son of a temple purana panda. Achyutananda and Balarama Das came from writing and service communities. And Yasovanta came from a community that in the ordinary arrangement of that society would not have been sitting with them.

And the five are described everywhere as sakhas, friends, equals, a group.

Which is the quiet fact about the Panchasakha and the one that usually gets skipped: the group was mixed, deliberately, and it held.

What he wrote

  • Prema Bhakti Brahma Gita, his major work and the one to read, on love as the mode of approach and on the relation between bhakti and brahman
  • Atma Pariche Gita, on knowing what you are
  • Govinda Chandra
  • Sivasarodaya
  • And Malika material attributed to him, on which see below

Prema Bhakti Brahma Gita

The title is the argument.

Prema bhakti, love as devotion, and brahman, the absolute, in one phrase, and the book is about why those are not two subjects.

The Panchasakha problem is how you get a formless absolute and a person you can love into the same system without one of them becoming a concession to the other, and Shunya Purusha is the group's answer to it, and Yasovanta's book is the version of that answer written from the side of love rather than from the side of metaphysics.

A note on the Sivasarodaya

This is an Odia treatment of swara material, the tradition that reads the breath, which nostril is running, ida or pingala, and draws conclusions from it.

Part of it is ordinary and useful. Noticing your own breathing, noticing that it changes through the day, noticing what state you are in before you act: that is observation and it costs nothing.

And part of the classical swara literature is predictive, and that part includes determining the sex of an unborn child and forecasting the time of a death, and both of those need saying plainly.

The sex of a foetus cannot be told from anybody's breathing, and in India acting on prenatal sex determination is a criminal offence under the PCPNDT Act 1994, and the reason that law exists is that the practice was being used to end pregnancies with female foetuses at scale.

And a prediction of somebody's death does damage whether or not it comes true, to the person told and to the family around them, and it should not be given and should not be paid for.

And the Malikas

Malika texts are attributed to Yasovanta as they are to Achyutananda, and the previous entry sets out the position at length: the corpus is textually unstable, there is no critical edition, material has accreted over centuries, attribution is traditional rather than established, and the dated predictions have dates which have passed.

The same applies here, and it applies to Malikas attributed to any of the five.

Ananta Das

Ananta Das, sixteenth century, fifth of the Panchasakha, and the least written about of the five.

Where he came from

Balipatna, in Khurda district, near Bhubaneswar, and the biographical material on him is thin, which is itself part of this entry's subject.

What he wrote

  • Sisu Deva Gita, his best known work
  • Hetu Udaya Bhagavata
  • Artha Tareni
  • Bhakti Mukti Daya Gita
  • Udebhakara
  • And Malika material, with the same caution as above

Sisu Deva Gita

Sisu means child, and Sisu Deva, the child god, and the work belongs to the same theological world as the rest of the group: Shunya Purusha, the formless that is also a person, pinda brahmanda, the cosmos present in the body, and the internal correspondence to the outer temple at Puri.

Bhakti Mukti Daya Gita is on the relation between devotion and liberation, which is the standing question of the whole bhakti period: whether bhakti is a road to moksha or is itself the destination, and the bhakti answer, given in a dozen languages across five centuries, is generally the second one.

What the five held in common

Which is worth setting out once, since this is the last of the five entries.

One. Odia. All five wrote in the language people spoke, and between them they produced the Ramayana, the Bhagavata, and a philosophical literature, in a vernacular that had not had those things.

Two. Shunya Purusha. The void and the person as one, held together rather than resolved, with Jagannath at Puri as the point where the pairing is visible.

Three. Pinda brahmanda. The body contains what the cosmos contains, so the practice is internal, and the outer temple is a diagram of the inner one.

Four. A mixed group. Brahmana and non brahmana, including a man from a community placed low, all described as friends.

Five. Distance from the temple establishment. The Panchasakha material is consistently more interested in the internal temple than in the ritual one, and this is not an accident, and one of them was thrown off the chariot and another was punished for reading to women.

Six. A relationship with Chaitanya that is contested. He arrived at Puri in 1510 and stayed, the two streams overlapped, the Gaudiya tradition reads the Panchasakha one way and Odia scholarship reads them another, and this entry does not adjudicate it.

Being Fourth and Fifth

And here is why these two got their own entry rather than a paragraph.

The pattern

Every named group has members nobody can name.

Ask somebody in Odisha to name the Panchasakha and you will reliably get Jagannath Das, Balarama Das and Achyutananda, and then a pause, and then either an approximation or a change of subject.

And this is not because Yasovanta and Ananta wrote less well. The Prema Bhakti Brahma Gita is a serious book. It is simply that a group of five produces three names and two slots.

Why it happens

Not merit, in most cases. The mechanisms are ordinary:

  • One work becomes ubiquitous, and the man who wrote it becomes the group. Jagannath Das got the Bhagabata and therefore the Tungi and therefore every village
  • One life has a story in it. Balarama Das has the sand chariot, which is tellable in ninety seconds
  • One name attaches to something people want. Achyutananda has the Malikas, and prophecy travels
  • And two of them have neither a ubiquitous book nor a repeatable story nor a hook, and so they are a name on a list

Which is a mechanism worth recognising, because it is running in every workplace, every family, every band, every research group and every founding team, and the people it selects out are not the ones who contributed least.

What follows from that

Two things, and both are practical.

One. If you are the fourth or the fifth in some group of yours, it is worth knowing that the position is structural and not a verdict on you, and that the person who gets named usually got named for a reason that has nothing to do with relative worth.

Two. If you are the one being named, the correction is available and it is small: name the others when you are asked. It takes four extra words and it is the entire remedy.

And the group itself is the point

Because this is the thing the Panchasakha actually demonstrate, more than any individual doctrine in the five books.

Five men, of different castes, in the same town, at the same time, decided together that the material should be in Odia, and they wrote across each other and referenced each other and are remembered as a unit four and a half centuries later.

None of them could have done it alone. A single Odia Bhagavata is a book. Five men producing a Ramayana, a Mahabharata adjacent tradition, a Bhagavata and a philosophical corpus in one generation is a literature, and a literature is what saved the language in 1870.

Where to go

  • Adhanga, Cuttack district, associated with Yasovanta Das
  • Balipatna, Khurda district, associated with Ananta Das
  • Nemal and Kakatpur, associated with Achyutananda
  • Puri, where all five converge

A daily practice from this entry

  • Jai Jagannath
  • A few lines of the Prema Bhakti Brahma Gita or of any of the five, in Odia or in translation
  • And the naming habit: when you are asked who did something, name everybody who did it

The Short Version

The Short Version

Yasovanta Das, also written Jasobanta, sixteenth century, fourth of the Panchasakha, from Adhanga in Cuttack district. He was a Bathuari, a community placed low in the Odisha social order of the period, which matters because of who he was standing next to: Jagannath Das was a brahmana and the son of a temple purana panda, Achyutananda and Balarama Das came from writing and service communities, and Yasovanta came from a community that in the ordinary arrangement of that society would not have been sitting with them. The five are described everywhere as sakhas, friends, equals, and the quiet fact about the Panchasakha is that the group was mixed, deliberately, and it held.

His works: the Prema Bhakti Brahma Gita, his major book, whose title is the argument, putting prema bhakti and brahman in one phrase and arguing that they are not two subjects. The Panchasakha problem is how to get a formless absolute and a lovable person into one system without either becoming a concession to the other, Shunya Purusha is the group's answer, and Yasovanta's book is that answer written from the side of love rather than metaphysics. Also the Atma Pariche Gita, Govinda Chandra and the Sivasarodaya.

The Sivasarodaya caution: it is an Odia treatment of swara material, the tradition that reads which nostril is running. Part is ordinary observation and costs nothing. Part of the classical swara literature is predictive and includes determining the sex of an unborn child and forecasting a time of death. The sex of a foetus cannot be told from anybody's breathing, and acting on prenatal sex determination is a criminal offence in India under the PCPNDT Act 1994, a law that exists because the practice was being used to end pregnancies with female foetuses at scale. A prediction of somebody's death does damage whether or not it comes true and should not be given or paid for.

Ananta Das, sixteenth century, fifth of the Panchasakha, from Balipatna in Khurda district, the least written about of the five. His works include the Sisu Deva Gita, the Hetu Udaya Bhagavata, the Artha Tareni, the Bhakti Mukti Daya Gita and the Udebhakara, in the same theological world as the rest of the group.

What the five held in common: Odia rather than Sanskrit; Shunya Purusha, the void and the person held together rather than resolved; pinda brahmanda, the cosmos present in the body so the practice is internal; a mixed group of brahmana and non brahmana described as friends; consistent distance from the temple establishment, one of them thrown off the chariot and another punished for reading to women; and a contested relationship with Chaitanya that this entry does not adjudicate.

Being fourth and fifth: every named group has members nobody can name, and the mechanisms are ordinary rather than meritocratic. One work becomes ubiquitous and its author becomes the group; one life has a story tellable in ninety seconds; one name attaches to something people want, and prophecy travels. Two members have none of those and become a name on a list. If you are fourth or fifth somewhere, the position is structural and not a verdict. If you are the one being named, the remedy is four extra words: name the others when you are asked.

Reader Questions Answered

Who are the Panchasakha?+

Five sixteenth century Odia writers at Puri, described everywhere as sakhas or friends: Balarama Das, Jagannath Das, Achyutananda Das, Yasovanta Das and Ananta Das. What they held in common was writing in Odia rather than Sanskrit; the Shunya Purusha idea in which the void and the person are held together rather than resolved; pinda brahmanda, that the cosmos is present in the body so the practice is internal; a mixed caste membership of brahmana and non brahmana all described as friends; consistent distance from the temple establishment; and a contested relationship with Chaitanya, who arrived at Puri in 1510 and stayed.

Who was Yasovanta Das?+

The fourth of the Panchasakha, sixteenth century, from Adhanga in Cuttack district, also written Jasobanta. He was a Bathuari, a community placed low in the Odisha social order of the period, which matters given that the group also contained a brahmana. His major work is the Prema Bhakti Brahma Gita, whose title is its argument, putting prema bhakti and brahman in one phrase and showing they are not two subjects, and it is the Shunya Purusha answer written from the side of love rather than metaphysics. He also wrote the Atma Pariche Gita, Govinda Chandra and the Sivasarodaya.

Who was Ananta Das?+

The fifth of the Panchasakha, sixteenth century, from Balipatna in Khurda district near Bhubaneswar, and the least written about of the five, with thin biographical material. His works include the Sisu Deva Gita, his best known, along with the Hetu Udaya Bhagavata, the Artha Tareni, the Bhakti Mukti Daya Gita and the Udebhakara. Sisu means child and Sisu Deva the child god, and the work belongs to the same theological world as the rest of the group. The Bhakti Mukti Daya Gita is on the relation between devotion and liberation, the standing question of the whole bhakti period, and the bhakti answer given in a dozen languages across five centuries is generally that bhakti is itself the destination.

Is the Sivasarodaya safe to follow?+

Partly. It is an Odia treatment of swara material, the tradition that reads the breath and which nostril is running, ida or pingala. The observational part is ordinary and useful: noticing your own breathing, noticing that it changes through the day, noticing what state you are in before you act. But part of the classical swara literature is predictive, and that part includes determining the sex of an unborn child and forecasting the time of a death. The sex of a foetus cannot be told from anybody's breathing, and in India acting on prenatal sex determination is a criminal offence under the PCPNDT Act 1994, a law that exists because the practice was being used to end pregnancies with female foetuses at scale. A prediction of somebody's death does damage whether or not it comes true, to the person told and to the family around them, and it should not be given and should not be paid for.

Why are only three of the Panchasakha well known?+

Not because the other two wrote less well, since the Prema Bhakti Brahma Gita is a serious book. The mechanisms are ordinary. One work becomes ubiquitous and the man who wrote it becomes the group, which is what happened to Jagannath Das with the Bhagabata, the Tungi and therefore every village. One life has a story in it that is tellable in ninety seconds, which is Balarama Das and the sand chariot. One name attaches to something people want, and prophecy travels, which is Achyutananda and the Malikas. And two of them have neither a ubiquitous book nor a repeatable story nor a hook, so they become a name on a list. This mechanism runs in every workplace, family, band, research group and founding team, and the people it selects out are not the ones who contributed least.

What can I take from the Panchasakha?+

That the group was the achievement. Five men of different castes, in the same town at the same time, decided together that the material should be in Odia, wrote across each other and referenced each other, and are remembered as a unit four and a half centuries later. None of them could have done it alone: a single Odia Bhagavata is a book, but five men producing a Ramayana, a Bhagavata and a philosophical corpus in one generation is a literature, and a literature is what saved the language when its abolition was proposed in 1870. The practical habit that follows is small: when you are asked who did something, name everybody who did it.

RS

About the author

Pandit Ravindra Sharma · Vedic Rituals & Bhakti, 22+ years

Pandit Ravindra is the Vandnaa editorial team's resident specialist on aarti, chalisa, and daily devotion. He has performed home and temple pujas across Varanasi and Delhi for over two decades and contributes the bhakti-focused articles on this site.

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